Freitag, 22. Juli 2011

Holiday break

It´s time for summer holidays - so there will be no new posts in the next two weeks. Have a nice time and enojoy yourself!

Sonntag, 10. Juli 2011

Tyrone Taylor - Move Up Blackman (1976, Wolf)

Although Jamaican singer Tyrone Taylor recorded in a series of styles and genres rooted in the Caribbean tradition, he remains best known for 1983's soulful lovers rock ballad "Cottage in Negril."

Born in rural St. Elizabeth in 1957, Taylor cut his first record at just 12, lending his rich, emotive voice to the Joe Gibbs-produced "Delilah." Although the song was later issued overseas as the flip side of the Dennis Walks hit "Having a Party," Taylor was less than pleased with the end result and briefly teamed with singer Vince Brown in the Soul Menders.

His initial struggles forced him to question the realities of a career in music, and he spent the next several years learning a series of instruments under local session players, chief among them the legendary guitarist Willie Lindo, who encouraged Taylor to return to singing. In 1972 he resurfaced in the Soul Twins, cutting the anthems "Don't Call Me Nigga" and "Rastafari Ruler" for producer Clancy Eccles before resuming his solo career with a series of little-noticed singles including "Fight It Blackman."

Taylor first earned significant attention and airplay in 1975 under the wing of producer Jack Ruby, scoring a series of well-received hits including "Life Table" and "I'd Like to Know." With 1977's Niney the Observer-produced "Sufferation," he scored his biggest and most memorable single to date, earning a special King Tubby remix in the process. After a series of middling follow-ups, including "Can't Stop Rastaman Now," a reggae rewrite of the McFadden & Whitehead disco classic "Ain't No Stopping Us Now," Taylor self-produced "Cottage in Negril" in 1981.

Inspired by both a failed romance and the recent rise to power of the conservative Labor party, complete with the sounds of cocaine snorts between verses, the single slowly but surely emerged as a chart blockbuster, and two years later was picked up for international distribution by MCA. However, the follow-up single, "Pledge to the Sun," bombed, and MCA shelved a proposed LP. In the meantime, Taylor's struggles with drug addiction grew even more serious, and in the decade to follow he recorded only sporadically, generating some notice in 1987 via "Members Only" and "Be for Real." Lindo stepped in to produce 1993's full-length The Way to Paradise, widely celebrated as a return to creative form, and a year later Taylor teamed with producer Clive Hunt for the hit "Rainy Sunset." But Taylor never conquered his personal demons, eventually suffering a handful of strokes and spending the remainder of his life confined to a wheelchair; he died of prostate cancer in Kingston on December 1, 2007.
(320 kbps, front cover included)

Samstag, 9. Juli 2011

VA - La Revolución Mexicana (Orfeón, 2 CDs)

The Mexican Revolution was a major armed struggle that started in 1910, with an uprising led by Francisco I. Madero against longtime autocrat Porfirio Díaz. The Revolution was characterized by several socialist, liberal, anarchist, populist, and agrarianist movements. Over time the Revolution changed from a revolt against the established order to a multi-sided civil war.

After prolonged struggles, its representatives produced the Mexican Constitution of 1917. The Revolution is generally considered to have lasted until 1920, although the country continued to have sporadic, but comparatively minor, outbreaks of warfare well into the 1920s.
 
This record needs no explanation ..

Tracklist:
 
Disc 1:
Silvestre Vargas - La Adelita
Jorge Negrete - El Desterrado
Lucha Moreno - Corrido del Norte
Chavela Vargas - Corrido de Cananea
Alejandro Rivera - La Cama de Piedra
Charro Avitia - Maria la Bandida
Trío Tariácuri - Soldado de Levita
Chavela Vargas- Heraclio Bernal
Trío Calaveras - Alla en el Rancho Grande
Banda Sinaloense - La Rielera
Luis Aguilar - El Adios del Soldado
Alejandro Algara - Pajarillo Barranqueño
Conjunto Durango - Polka Revolucionaria
Los Llaneros de San Felipe - La Toma de Torreón
Silvestre Vargas - Lamarieta

Disc 2:
Jorge Negrete - La Valentina
Antonio Bribiesca - La Cucaracha
Francisco Avita - El Siete Leguas
Los Tejones - La Escondida
Luis Aguilar - Carabina 30-30
Chavela Vargas - Benjamin Argumedo
Lucha Moreno - Bala Perdida
Silvestre Vargas - Jesusita en Chihuahua
Jorge Fernández - Cuatro Milpas
Jorge Negrete - Me He de Comer Esa Tuna
El Auténtico Tamborazo Zacatecano - La Toma de Zacatecas
Los Pantoja y Sus Villistas - Gabino Barrera
Dueto Azteca - Rosita Alvirez
Emmanuel Gomez - La Tumba de Villa
Silvestre Vargas - La Marcha de Zacatecas
 
VA - La Revolucion Mexicana (2 CDs)
(128 kbps)

Dienstag, 5. Juli 2011

The Ex - Dead Fish (1990)

The Ex are an anarchist band from Amsterdam, Netherlands.

"Dead Fish" is a suite of songs about surviving in the rock'n'roll jungle, coughed up with an amount of bile only The Ex could summon. A direct attack on the commercialisation of indie music and the creaky industries that support its mass market consumption. The Ex are still committed naturals in an over exposed and hyped arena.

"Dead Fish" was recorded at KGM Studio, Wakefield, England, and was released as a 10" EP in June 1990. It was produced by Jon Langford with Terrie (guitar), G.W. Sok (vocals), Luc (bass) and Katrin (drums).


Tracklist:

01. Dead Fish
02. Blah Blah
03. White Liberals
04. Elvis + I
05. No More Cigars
06. Mousetrap
07. Get Your Share

The Ex - Dead Fish (1990)
(192 kbps, no cover art included)

Montag, 4. Juli 2011

Gil Scott-Heron & Brian Jackson - It's Your World (1976)

This Gil Scott-Heron double album, roughly two thirds of which was recorded live in Boston on July 2-4, 1976, makes the most of its Centennial-centric time frame. Between the American flag striped cover art and Heron's spoken word spiel on an 8-and-a-half minute poem/rant "Bicentennial Blues," the album loses little of its impact, regardless of how the years have mildewed once fresh political topics like Nixon, Agnew, and Watergate.

Four of its songs are studio recordings ("It's Your World," "Possum Slim," "New York City," and "Sharing"), and even though they're up to Heron's usual jazz/blues/pop standards, the disc is most effective on the concert tracks. As he explains in the 2000 penned liner notes, The Midnight Band was a compelling live unit and one listen to the brisk, electrifying, 13-minute rendition of "The Bottle," one of Heron's most penetrating tracks, is all you'll need to understand why. More importantly, like the best protest music, these tunes have lost none of their lyrical edge or incisiveness throughout the years. Musically the band is taut and rehearsed down to the finest time change, yet loose enough to open up on the jams. The heavy Latin percussion/flute/piano -- but remarkably guitar-less -- sound is equal parts Santana and Mongo Santamaria with a strong jazz current throughout, especially on the John Coltrane tribute "Trane," featuring tenor hornman Bilal Sunni-Ali's fiery lead. Scott-Heron's deep, mellifluous voice is alternately soothing and cutting, infusing the music with heart and soul, while keeping the sound focused even during the longer improvisations. Only a dated '70s drum solo belies the year this was recorded. Chestnuts like "Home Is Where the Hatred Is" explode in extended live versions that become definitive readings of the tunes. Remastered for its reissue, It's Your World crackles with energy, presenting an accomplished band at their peak and placing the listener practically on stage for the live tracks with acoustics that are full, yet airy and spacious. One of Gil Scott-Heron's best albums as well as a compelling musical time capsule, the disc is proof of the artist's musical and lyrical acuity and is a moving listening experience.

Say our friends at Dustygroove: "A standout set from Gil Scott-Heron -- and that's saying a lot, given the strength of his other 70s work! This album's a double-length live set -- one that has Gil taking on the familiar format of the 70s, and using it to really push the boundaries of his own music too! Most tracks are quite long, and filled with spontaneous energy -- a moment in Gil's music to compare to that of Curtis Live for Curtis Mayfield -- proof that soul music could be made even better live than in the studio, as long as the setting was right. The record features a very extended version of "The Bottle" which runs for 13 minutes long, and which is a jammer all the way through -- and other titles include the great jazzy groover "New York City", plus "Trane", "Must Be Something", "Sharing", and "Home Is Where The Hatred Is". One of the few truly fantastic live soul albums!"


Tracklist:

01. It's Your World
02. Possum Slim
03. New York City
04. 17th Street
05. Trane
06. Must Be Something
07. Home Is Where the Hatred Is
08. Bicentennial Blues
09. Bottle
10. Sharing

Gil Scott-Heron & Brian Jackson - It´s Your World (1976)
(320 kbps, no cover included)