On March 31, 1948, Egon Erwin Kisch, a german-speaking Czech journalist and novelist, died in Prague, Czech Republic.
Egon Erwin Kisch was "der rasende Reporter" ("the raging reporter"), a journalist whose interest in marginalized parts of society and the world outside Europe endeared him to a large number of readers. He became a figurehead in the fight against fascism. Later generations of journalists regarded his documentaries as exemplary and pioneering. He is admired to this day for the high literary quality of his journalitic work.
Kisch was born into a German-speaking Jewish family in Prague, at that time part of the Austro-Hungarian Empire, and began his journalistic career as a reporter for a local German language newspaper in 1906. His early work is characterised by an interest in crime and the lives of the poor of Prague, taking Jan Neruda, Emile Zola and Charles Dickens's Sketches by Boz as his models. He deserted from the army in World War I in October 1918 as the war came to an end and played a leading role in the left-wing revolution in Vienna in November of that year. Although the revolution failed, in 1919, Kisch joined the Communist party, a political allegiance he maintained for the rest of his life.
Between 1921 and 1930 Kisch, though a citizen of Czechoslovakia, lived primarily in Berlin, where his work found a new and appreciative audience. In books of collected journalism such as "Der rasende Reporter" (1924), he cultivated the image of a witty, gritty, daring reporter always on the move, a cigarette clamped doggedly between his lips. His work and his public persona found an echo in the artistic movement of "Neue Sachlichkeit", a major strand in the culture of the Weimar Republic.
On February 28 1933, the day after the Reichstag Fire, Kisch was one of many prominent opponents of Nazism to be arrested. He was briefly imprisoned in Spandau, but as a Czechoslovakian citizen, was expelled from Germany. His works were banned and burnt in Germany, but he continued to write for the Czech and émigré German press, bearing witness to the horrors of the Nazi takeover.
In 1937 and 1938, Kisch took part in Spanish Civil War. He travelled across the country speaking in the Republican cause and his reports from the front line were widely published.
Following the "Munich Agreement" of 1938 and the subsequent Nazi occupation of Bohemia six months later, Kisch was unable to return to the country of his birth. Once war broke out, Paris, which he had made his main home since 1933, also became too dangerous for an outspoken Jewish communist whose native land no longer existed. In late 1939, Kisch and his wife Gisela, sailed for New York where, once again, he was initially denied entry. He eventually landed at Ellis Island on December 28, but as he only had a transit visa moved onto Mexico in 1940.
He remained in Mexico for the next five years, one of a circle of European communist refugees, notable among them Anna Seghers and Ludwig Renn.
Kisch died two years after his return to Prague, shortly after the Communist party seized complete power. There are contradictory reports of his attitude - as a German-speaking Jew - to the party in this period as it began to develop the anti-semitism which culminated in the "Prague Trials" of 1952 and supported the expulsion of most of Czechoslovakia's ethnic Germans.
To remember his great work, here is "Erinnerungen an den rasenden Reporter", a wonderful feature in german language about Egon Erwin Kisch.
Egon Erwin Kisch - Erinnerungen an den rasenden Reporter
(192 kbps, front cover included)
"Quilapayún" (Spanish pronunciation: [kilapaˈʝun]) are an instrumental and vocal folk music group from Chile and among the longest lasting and most influential exponents of the Nueva Canción Chilena (New Song) movement. Quilapayún originated in 1965 when Julio Numhauser, and the brothers Julio Carrasco and Eduardo Carrasco formed a folk music trio which they simply called "the three bearded men" (viz. Quila-Payún in the mapuche language). The group became inseparable with the revolution that occurred in the popular music of the country under the Popular Unity Government of Salvador Allende. 
