His personal politics were forged during the Nazi occupation, and while his views on freedom bordered on anarchism, his songs expressed those convictions more subtly than those of his contemporary, Léo Ferré.
Though he was a skilled songwriter, Brassens had little formal musical training, and he generally kept things uncomplicated - simple melodies and spare accompaniment from a bass and second guitar.
Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era. His poetry and lyrics are still studied as part of France's standard educational curriculum.
"Don Juan" was officially his final album.
Tracklist:
1 | Trompe La Mort | |
2 | Les Ricochets | |
3 | Tempête Dans Un Bénitier | |
4 | Le Boulevard Du Temps Qui Passe | |
5 | Le Modeste | |
6 | Don Juan | |
7 | Les Casseuses | |
8 | Cupidon S'En Fout | |
9 | Montélimar | |
10 | Histoire De Faussaire | |
11 | La Messe Au Pendu | |
12 | Lèche-Cocu | |
13 | Les Patriotes | |
14 | Mélanie | |
Bonus : | ||
15 | Les Copains D'Abord | |
16 | La Visite | |
17 | Élégie À Un Rat De Cave |
Georges Brassens - Don Juan - Vol. 12 (1976)
(ca. 192 kbps, cover art included)
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