VA - Dubnology 2: Lost In Bass (1996)

Let´s go back in time to the dubby 1990s for the second volume...

Like its predecessor, "Dubnology, Vol. 2" is a two-disc collection of dub tracks that rely on electronics and technology to create their spacy, bass-heavy, echo-laden effects. 

The album features a lot of well done electronic music in different styles - a nice mix of music from the well known and not-so-well-known exponents of this genre

Volume Two has more experimental material by the likes of Zion Train, Alien, and the Knights of the Occasional Table, but those are mixed with more pop-oriented tracks by Underworld, Dubstar, Massive Attack vs. Mad Professor, and others - nice one!

Tracklist:

CD 1:
1 Dubble - Funki Porcini

2 Free The Bass - Zion Train

3 Skeleton At The Feast - Dread Zone

4 Shrine Kaya Dub (Zion Train Remix) - Loop Guru

5 Eternal Feed Back - Massive Attack V. Mad Professor

6 Lookee Here (Dread Zone Mix) - Transglobal Underground

7 Bowl - Knights Of The Occasional Table

8 GBH (Dub) - Death In Vegas

9 Paraffin (Richard Fearless Dub) - Ruby

10 Stars (Mother Dub) - Dubstar

11 Nemesis (Bumby Bosh Remix) - Children Of Dub

12 Ysaebud - Sabres Of Paradise

13 Orderliness, Godlines, Discipline And Dignity - African Headcharge


CD 2:
1 VIII - Main
2 Diamanda - Blue
3 Xyloid - Alien
4 Born Slippy (Tel Ematic) - Underworld
5 Hate (Nico Dark Matter Mix) - Acacia
6 Gatha - Seefeel
7 We Are On Earth To Learn - Mr Night, Mr Day
8 Critical Dub - Test Dept.
9 Hey Ho (Tribal Drift Mix) - Dub Syndicate

10 Mother India (Sabres Mix) - Fundamental
11 Vivianna Dogana - V-Human

VA - Dubnology 2: Lost In Bass (1996)

(320 kbps, cover art included)

Richie Havens – Live At The Cellar Door And The Santa Monica Civic Auditorium

Wonderful live helping of Richie Havens doing some of his most evocative songs ever. His patter is great too. Easily a four star album, dunno why AM gave it so few, probably just the automatic bias against live discs. If you dig Richie Havens, you absolutely should acquire this superb work.

The album features two concerts from Richie's early-'70s peak; in fact, this performance at the Cellar Door is the one from which his hit recording of Here Comes the Sun was taken! And the Santa Monica show was taped by remote recording whiz Wally Heider, so EXCELLENT sound. Also includes Fire and Rain; God Bless the Child; All Along the Watchtower; No More, No More; Dolphins, and more.

Highly recommended.


Tracklist:

1 Can't Make It Anymore
2 All Along the Watchtower
3 Helplessly Hoping
4 God Bless the Child
5 The Night They Drove Old Dixie Down
6 No More, No More
7 Preparation
8 Here Comes the Sun
9 Fire and Rain
10 Superman
11 Dolphins
12 Nobody Knows the Trouble I've Seen/My Sweet Lord

Richie Havens – Live At The Cellar Door And The Santa Monica Civic Auditorium

(320 kbps, cover art included)

Georg Danzer - Der Tschik (1974)

Georg Danzer reigned for decades among Austria's most popular and influential singers/songwriters, exploring subjects both personal and political via the mordant wit that underscores the collective Viennese consciousness.

Born in Vienna on October 7, 1946, Danzer began studying guitar at age 13. The 1967 release of the Beatles' landmark "Sgt. Pepper's Lonely Hearts Club Band" inspired him to begin writing original material, and a year later he issued his debut solo single, "Vera."

 While Danzer's early records sold poorly, he was deeply respected by his fellow musicians, who eagerly covered his songs. By the end of the decade, he was a pivotal figure in the German-language liedermacher ("song-maker") movement and would later be recognized as a founder of what was eventually dubbed Austro-pop. 

During the early '70s Danzer led the Madcaps, scoring a series of cult hits including "John Wayne," before resuming his solo career with the classic 1974 LP "Der Tätowierer und die Mondprinzessin." Breakthrough singles including "Jö Schau," "Wixer-Blues," "War das Etwa Haschish?," and most notably the modern standard "Morgenrot" not only vaulted the singer to superstar status but also earned the enmity of broadcast standards and practices, resulting in a string of radio bans and boycotts that served only to elevate his profile even higher. At the end of the decade Danzer settled in Germany, and his popularity back home suffered as a result. While filming a music video in Spain in 1984, he was critically injured in a motorcycle accident, and a year later longtime label Polydor terminated his contract.

Upon returning to Vienna in 1992, Danzer enjoyed a commercial and creative renaissance. A lifelong smoker, he died from lung cancer in St. Pölten, Austria, on June 21, 2007.

Tracklist:

Männerheim 3:35
Mistkübelballade 2:20
Im Park 3:25
Erinnerungen (Instrumental) 3:23
Russland 3:25
Mitzi 3:09
Halleluja 3:32
Die Alte Prohaska 2:59
Abschied 1:33
Ausklang (Instrumental) 2:49

Georg Danzer - Der Tschik (1974)
(192 kbps, cover art included)

VA - Dubnology - Journeys Into Outer Bass (1995)

Way back in the middle of the 1990s - spaced out parties with inspiring dub and electronic crossover sounds - what a great time for open-minded music lovers!

The "Dubnology - Journeys Into Outer Bass" compilation is a two-disc, 21-track collection of spacy late-'90s electronic dub, heavy on the bass, demonstrating that the music has become more techno-influenced and reliant on electronics and technology. 

Highlights include tracks by System7, Loop Guru, Zion Train, Meat Beat Manifesto, and Banco de Gaia; the booklet includes biographies and photos of all the artists.

Tracklist:

1-1 Dreadzone– House Of Dread 5:05
1-2 Revolutionary Dub Warriors– Walkabout 5:39
1-3 Zion Train– Follow Like Wolves (Original 12 Mix) 5:58
1-4 Asian Dub Foundation– Nazrul Dub 5:36
1-5 System 7– 7:7 Expansion (Conspiracy Mix By Youth) 10:01
1-6 Astralasia– Univeria Zekt (Kobaian Love Chant) 6:53
1-7 Renegade Soundwave– Brixton (Dub Mix) 7:07
1-8 Tribal Drift– Ants 8:51
1-9 SYT– School Of Thought 8:52
1-10 Timeshard– 25th Century 6:27
1-11 Black Star Liner– Fatta Connection 4:40

2-1 Eat Static– Survivors 7:46
2-2 Meat Beat Manifesto– Mindstream (Mind The Bend The Mind - Orbital Mix) 8:26
2-3 Transglobal Underground– International Times (Haunted Dancehall - Sabres Of Paradise Mix) 8:09
2-4 The Woodshed– Bills Last Stand 6:22
2-5 The Rootsman– Rougher Dub (Lionheart Exclusive Mix) 6:59
2-6 Knights Of The Occasional Table– Um Baby 6:02
2-7 Banco De Gaia– Lai Lah (v.1.00) 7:17
2-8 UVX– Shape Of Life 5:49
2-9 Loop Guru– Paradigm Shuffle 4:30
2-10 Underworld– Rez 9:56

VA - Dubnology - Journeys Into Outer Bass (1995)

(320 kbps, cover art included)

Count Basie - At Newport (1957)

At the 1957 Newport Jazz Festival, the music was consistently inspired and often historic. Count Basie welcomed back tenor great Lester Young and singer Jimmy Rushing for part of a very memorable set highlighted by "Boogie Woogie" and "Evenin'";

Young plays beautifully throughout and Rushing is in prime form. An exciting full-length version of "One O'Clock Jump" features Young, Illinois Jacquet, and trumpeter Roy Eldridge; the Basie band stretches out on "Swingin' at Newport"; and five previously unreleased selections (put out for the first time on this CD) include four Joe Williams vocals. It's a great set of music.

Tracklist:

Introduction by John H. Hammond – 4:52
"Swingin' at the Newport" (Ernie Wilkins) – 8:30
"Polka Dots and Moonbeams" (Johnny Burke, Jimmy Van Heusen) – 3:33
"Lester Leaps In" (Lester Young) – 3:02
"Sent for You Yesterday and Here You Come Today" (Count Basie, Eddie Durham, Jimmy Rushing) – 4:04
"Boogie Woogie (I May Be Wrong)" (Basie, Rushing) – 3:49
"Evenin'" (Charles Daniels, Mitchell Parish, Harry White, Richard Whiting) – 3:32
"Blee Blop Blues" (Basie, Ahmad Kharab Salim) – 3:32 (this track was originally released on Verve MG VS-6025, Verve MGV-8244; bonus track on CD reissue)
"Alright, Okay, You Win" (Mayme Watts, Sid Wyche) – 2:45 (this track was originally released on Verve MG VS-6025, Verve MGV-8244; bonus track on CD reissue)
"The Comeback" (Charles Frazier, Memphis Slim) – 4:10 (this track was originally released on Verve MG VS-6025, Verve MGV-8244; bonus track on CD reissue)
"Roll 'Em Pete" (Pete Johnson, Joe Turner) – 3:00 (this track was originally released on Verve MG VS-6025, Verve MGV-8244; bonus track on CD reissue)
"Smack Dab in the Middle" (Eddie Calhoun) – 3:44 (this track was originally released on Verve MG VS-6025, Verve MGV-8244; bonus track on CD reissue)
"One O'Clock Jump" (Basie) – 9:26

Count Basie - At Newport (1957)

(320 kbps, cover art included)

VA - Yelé Brazil

Though not quite as expansive as "The Rough Guide to the Music of Brazil" or the four-CD "Brasil: A Century of Song" boxed set, this 16-track compilation provides a wonderful introduction to the vibrant musical cultural of Brazil, where music is an integral entity that permeates nearly every aspect of daily life.

Ara Ketu, who presents three tracks here, is representative of how seamlessly African musical traditions were integrated into the Brazilian sound, with complex syncopated percussion worked into an accessible pop sound that combines elements of African soukous and Brazilian samba. Paralamas, a Rio-based group who contributes two songs here, craftily combines Brazilian rhythms with the visceral energy of Two-Tone ska, the end result sounding a bit like a South American version of General Public. With a number of other standout tracks from diverse artists like samba/reggae fusionists Banda Reflexu and traditional drummer Dorival Caymmi, "Yele Brazil" makes a fine starting point for your Brazilian music immersion.   



Tracklist:

       1. Yele Congo - Ara Ketu

2. Coche Viejo - Paralamas

3. Venha Me Amar - Sarajane

4. Kizomba, Festa Da Raca - Banda Reflexu's

5. Emabla Eu - Clementina & Clara Nunes

6. Volte Para O Seu Lar - Marisa Monte

7. Felicidade - Ara Kefu

8. Epilogo - Geronimo

9. Jogo De Angola - Clara Nunes

10. Segura Este Samba - Umbada

11. De Onde Eu Vim - Geronimo

12. Negro Laranja - Banda Reflexu's

13. Alagados - Paralamas

14. Canto De Nana - Dorival Caymmi

15. Toque E. Seducao - Ara Kefu

16. Canto Da Cor - Banda Reflexu's

  
VA - Yelé Brazil
(256 kbps, cover art included)      

Elis Regina – Samba, Eu Canto Assim (1965)

Elis Regina was one of the most ferociously talented singers to emerge from Brazil. A perfectionist who was frequently dissatisfied, Regina drove herself and members of her band relentlessly, leading to her being dubbed "Hurricane" and "Little Pepper" by musicians and journalists. Her tempestuous nature aside, she commanded the respect of Brazil's leading songwriters, who lined up for the chance to have her record one of their songs, and for much of her short life was the country's most popular female vocalist.

Leading a brassy main-room orchestra, Elis Regina exerts a considerable amount of power on 1965's "Samba, Eu Canto Assim". She swings her way through Edu Lobo's "Rez" while the strings saw sweetly in the background and salutes great Brazilian composers ranging from Dorival Caymmi ("João Valentão"), Marcos Valle ("Preciso Aprender a Ser So"), and Vinicius and Baden Powell (a potpourri comprising "Consolação," "Berimbau," and "Tem Dó").


Tracklist:

A1 Reza 2:50
A2 Menino Das Laranjas 2:16
A3 Por Um Amor Maior 2:36
A4 João Valentão 3:08
A5 Maria Do Maranhão 3:10
A6 Resolução 2:32
B1 Sou Sem Paz 3:13
B2 Pot-Pourri: Consolação - Berimbau - Tem Dó 2:25
B3 Aleluia 2:56
B4 Eternidade 2:47
B5 Preciso Aprender A Ser Só 4:18
B6 Ultimo Canto 2:51

Elis Regina - Samba, Eu Canto Assim (1965)

(320 kbps, cover art included)

Lightnin´ Slim - Bell Ringer (1965)

Otis Verries Hicks (March 13, 1913 – July 27, 1974),  known as Lightnin' Slim, was an American blues musician who played Louisiana blues and swamp blues for Excello Records.

One of the two names inextricably linked with the music of Excello Records (the other is Slim Harpo), Lightnin' Slim was born in St Louis but went on to become one of Louisiana's greatest bluesmen. His partnership with harmonica blower Lazy Lester and the Baton Rouge producer Jay Miller defined the Louisiana swamp blues sound. The late Mike Leadbitter said "(Lightnin' Slim)..was, in his own way, one of the truly great unspoiled bluesmen of the post-war era" and, even though that was written some years back, it remains as true today.

In the 1970s, Slim performed on tours in Europe, including the Montreux Jazz Festival in Switzerland, for which he was often accompanied by Moses "Whispering" Smith on harmonica. He last toured the UK in 1973, with the American Blues Legends package organised by Big Bear Records.

In July 1974, Slim died of stomach cancer in Detroit, Michigan, aged 61. He was interred at Oak Hill Cemetery in Pontiac, Michigan.


Tracklist:

01-Love Me Mama [2:30]
02-She's My Crazy Little Baby [2:41]
03-Have Mercy on Me Baby [2:21]
04-Winter Time Blues [2:43]
05-If You Ever Need Me [3:11]
06-Mean Ole Lonesome Train [3:18]
07-Baby Please Come Back [2:32]
08-Love Is Just a Gamble [2:48]
09-Somebody Knockin' [3:08]
10-You Give Me the Blues [2:44]
11-Don't Start Me Talking [2:46]
12-You Move Me Baby [2:29]

Lightnin´ Slim - Bell Ringer (1965)

(320 kbps, cover art included)

Clancy Eccles - Freedom (Trojan, 1969)

Though not nearly as well known as Duke Reid or Coxsone Dodd, producer and sometime vocalist Clancy Eccles made a lot of rocksteady in the late '60s and early '70s, much of it on his Clandisc label. As a singer, Eccles had started recording back in the late '50s, when he cut some ska for Dodd. After bouncing around the ska and early reggae scene for a while, he became more active in the studio in the late '60s, overseeing tracks by Alton Ellis, Joe Higgs, Beres Hammond, and several less-famed artists. Not as distinctive as the works of Reid or Dodd, Eccles' oeuvre nonetheless included some solid and enjoyable material that contributed to the peak of the rocksteady movement. The record label he started in 1967, Clandisc Records, helped pave the way for greater recording independence for Jamaican musicians. Perhaps his greatest achievement took place outside of the studio: in the early '70s, he organized a traveling stage show to contribute to the successful campaign of Jamaican socialist politician Michael Manley. Clancy Eccles passed away in 2005 at the age of 64, leaving behind a legacy of fine recordings both as a singer and as a producer.

A socialist militant, Eccles was appointed as an adviser on the music industry to Michael Manley's People's National Party (PNP) and took part in Jamaica's 1972 prime ministerial elections by organising a "Bandwagon" featuring musicians such as Bob Marley & the Wailers, Dennis Brown, Max Romeo, Delroy Wilson and Inner Circle, performing around the island in support of Manley's campaign. Throughout the 1970s, he remained close to Manley and wrote several songs in praise of the PNP program, including his hits "Power for the People", "Rod of Correction" or "Generation Belly".

"Freedom" is Eccles essential LP, classic rocksteady reggae from front to back. Favorites include, "What Will Your Mother Say" and "Dollar Train".


Tracklist:

A1 Freedom
A2 What Will Your Mother Say
A3 Two Of A Kind
A4 The World Needs Loving
A5 Dollar Train
A6 Constantinople
B1 Fattie Fattie
B2 Auntie Lulu
B3 Shu Be Du
B4 My Girl
B5 I Need You
B6 Mounzion

Clancy Eccles - Freedom (Trojan, 1969)

(320 kbps, cover art included)

Charles Mingus - East Coasting (1957)

Bassist, composer, arranger, and bandleader Charles Mingus cut himself a uniquely iconoclastic path through jazz in the middle of the 20th century, creating a musical and cultural legacy that became universally lauded.

"East Coasting" is an album by Charles Mingus, recorded and released in late 1957.
One of Charles Mingus' lesser-known band sessions, this lyrical set of five originals (plus the standard "Memories of You") features his usual sidemen of the period (trombonist Jimmy Knepper, trumpeter Clarence Shaw, Shafi Hadi on tenor and alto, and drummer Dannie Richmond), along with pianist Bill Evans. 

The music stretches the boundaries of bop, is never predictable and, even if this is not one of Mingus' more acclaimed dates, it is well worth acquiring for the playing is quite stimulating.


Tracklist:

Memories Of You 4:23
East Coasting 5:10
West Coast Ghost 11:00
Celia 7:50
Conversation 5:25
Fifty-First Street Blues 5:45


Charles Mingus - East Coasting (1957)
(ca. 192 kbps, cover art included)

Hanns Eisler - Klingende Dokumente II

The historical recordings featured on the four LPs "Klingende Dokumente" offer valuable clues to the life and work of one of the most versatile and influential composers of the 20th century. Alongside Alban Berg and Anton von Webern, Hanns Eisler was the third of Arnold Schoenberg´s pupils to be acknowledged as a "master" by his mentor. He was the first Marxist-inspired musician of talent and stature to succeed, from the late 1920s onwards, in overcoming the social isolation of bourgeois musical art through politically intelligent and socially relevant music written in an advanced idiom.

The included performance of his "Serious Songs" ("Ernste Gesänge") was not directed by Eisler himself. It has been included in this set because the composer made comments on this work in a conversation taped shortly before his death ("To win the future you must come to terms with the past" / "Wer die Zukunft haben will, muss die Vergangenheit bewältigen", from a conversation with Hans Bunge, 14 August 1962). These songs represent his last compositional effort. He did not live to see them performed. 

"Klingende Dokumente II" was released in 1974 on the NOVA label.

Tracklist:

A1	Unterricht bei Schönberg
A2	Die Tage der Kommune
A3	Inhalt und Form
A4	Schwejk im Zweiten Weltkrieg
A5	Über moderne Musik
B1	Bei Prominenten zu Gast
B2	Wer die Zukunft haben will, muß die Vergangenheit bewältigen
B3	Ernste Gesänge für Bariton und Streichorchester

Hanns Eisler - Klingende Dokumente II

(320 kbps, cover art included)

VA - Die Zwanziger Jahre - Musik zwischen den Kriegen

"Die Zwanziger Jahre" is a compilation with sinfonic music written between 1924 and 1929 in the time "between the wars". It was released in 1988 on the Thorofon label. "This edition represents an attempt to provide ... an overview of the ... musical scene in Berlin of the 1920's and 1930's",


Tracklist:

Franz Schreker : Kleine Suite für Orchester; RSO Berlin / Dirigent: Hans-Georg Ratjen Grete von Zieritz : Präludium und Fuge für Klavier; Horst Göbel, Klavier Ernst Krenek : Symphonie für Blasinstrumente und Schlagwerk op. 34; RSO Berlin / Dirigent: Hans-Georg Ratjen Karol Rathaus : Sonate für Klarinette und Klavier op. 21; Alois Brandhofer Klarinette / Horst Göbel, Klavier Kurt Weill : "Zu Potsdam unter den Eichen"; Staats- und Domchor, Berlin/ Dirigent: Christian Grube Hanns Eisler : "Palmström" Studien über Zwölfton-Reihen; Junko Ohtsu-Bormann, Sopran / Orchester Akademie des BPhO Hans Pfitzner : Sechs Liebeslieder op. 35; Katharina Richter, Sopran / Holger Groschopp, Klavier VA - Die Zwanziger Jahre - Musik zwischen den Kriegen  (192 kbps, cover art included)

Nanni Svampa – Nanni Svampa Canta Brassens - Volume Primo (1971)

Nanni Svampa (Milano, February 28, 1938 - Varese, august 26, 2017) was an Italian singer, writer and actor, founder of the musical group I Gufi

I Gufi were a Italian band, singing in Milanese dialect, and cabaret, formed in 1964 and dissolved in 1969, except for a brief reunion in 1981.

This is the firs of three Nanni Svampa albums featuring interpretations of songs by Georges Brassens.

One of French pop's most poetic songwriters, Georges Brassens was also a highly acclaimed and much-beloved performer in his own right. Not only a brilliant manipulator of language and a feted poet in his own right, Brassens was also renowned for his subversive streak, satirizing religion, class, social conformity, and moral hypocrisy with a wicked glee. Yet beneath that surface was a compassionate concern for his fellow man, particularly the disadvantaged and desperate. His personal politics were forged during the Nazi occupation, and while his views on freedom bordered on anarchism, his songs expressed those convictions more subtly than those of his contemporary, Léo Ferré.


Tracklist:

A1 I Assassit
A2 Canzon Per El Rotamatt
A3 Poer Martin
A4 L'Erba Matta
A5 Doman Te Porti A Ballà
A6 El Testament
B1 El Bamborin De La Mièe D'On Ghisa
B2 Pelanda Ti
B3 El Gorilla
B4 La Ginetta
B5 La Prima Tosa
B6 Mi Sont On Malnatt

Nanni Svampa – Nanni Svampa Canta Brassens - Volume Primo (1971)

(128 kbps, cover art included)

Prince Buster & The Allstars - Wreck A Pum Pum (1968)

Prince Buster did not invent rude reggae, but he certainly did it a lot better, and a lot more frequently, than most people. 

"Wreck a Pum Pum" collects most of his earlier contributions to the canon, opening with the title track's positively filthy reinvention of "Little Drummer Boy," then continuing on through such distinctly unsubtle offerings as "Pum Pum a Go Will You," "Pussy Cat Bite Me" and that most alluring of Buster productions, "Wreck a Buddy (The Sexy Girls)" - "Wreck a Pum Pum" again, from the other side of the genitals. 

Alongside these, a handful of older numbers slide thematically into the brew - "Ten Commandments of Man," "Rough Rider" and "Whine & Grine" - while "Pharaoh House Crash" adds some political subversion to the proceedings, and even the instrumental "The Abeng" doesn't sound out of place by the time you reach it.


Tracklist:

A1 Wreck A Pum Pum
A2 Wreck A Buddy
A3 Rough Rider
A4 Pum Pum A Go Will You
A5 Whine And Grine
A6 Ten Commandments
B1 Beg You Little More
B2 Pussy Cat Bite Me
B3 Pharaoh House Crash
B4 The Abeng
B5 Train To Girls' Town
B6 Stir The Pot


Prince Buster & The Allstars - Wreck A Pum Pum (1968)

(320 kbps, cover art included)

Prince Buster - She Was A Rough Rider (1968)

One of Prince Buster's finest albums and, thanks to the presence of both the much-covered title track and the oft-revisited "Whine & Grine," one of his most popular.

As usual, the set itself was made up from then-recent U.K. singles, bolstered by a handful of tracks that had not made it out on Bluebeat 45s, and the scattershot approach does show. 

The clumsy honk-driven "Dreams to Remember," "Walk with Love" and "Bye Bye Baby" are weak fare by Buster's most rampant standards, and "Going to the River" really could have been left on the shelf. But "Scorcher" (the source for one of Madness' most distinctive intros, by the way), "Hypocrites" and "Can't Keep On Running" are the sound of the Prince at his most electrifying, while the caustic "Taxation" strikes a vocal chord that almost every listener will be able to identify with.


Tracklist:

Rough Rider
Dreams To Remember
Scorcher
Hypocrites
Walk With Love
Taxation
Bye Bye Baby
Tenderness
Wine Or Grind
Cant Keep On Running
Closer Together
Going To The River


Prince Buster - She Was A Rough Rider (1968)

(320 kbps, cover art included)

Isabel Parra – Isabel Parra En Cuba (1978)

Violeta Isabel Cereceda Parra (born 29 September 1939), better known as Isabel Parra, is a famous Chilean singer-songwriter and interpreter of Latin American musical folklore.

Parra was born in Chile in 1939 and began her career in music at the age of 13 when she made her first recording with her world-renowned mother, the folklorist Violeta Parra. She has since interpreted and recorded the songs of some of the most famous Latin American folk singers.

After the 11 September 1973 Chilean coup d'état she lived in exile in Argentina and France for many years. She returned to Chile when democracy returned to her country.

Parra has toured extensively during her career and was a distinctive figure in the Nueva Canción Chilena (New Chilean Song) movement. Isabel Parra is also the sister of the famous folk singer Ángel Parra and the niece of the famous poet Nicanor Parra.

This double album is a compilation of songs by Isabel Parra. It was released in 1978 on Movieplay, the songs were recorded between 1971 and 1973.

Tracklist:

A1 Deme su voz, deme su mano 3:17
A2 El rey de las flores 2:05
A3 Solitario solo 3:12
A4 Acerca de los padres 3:46
A5 Póngale el hombro m'hijito 2:22

B1 Son de la loma 2:58
B2 El encuentro 3:45
B3 Generaciones 3:40
B4 Como en Vietnam 1:43
B5 Al final de este viaje en la vida 3:05

C1 Vientos del pueblo 3:41
C2 Perla marina 2:17
C3 Palabras para una canción para Haydee 4:24
C4 Te doy una canción 3:01
C5 En esta tierra que tanto quiero 3:18

D1 Madre 3:05
D2 La hormiga vecina 3:41
D3 Más temprano que tarde 3:32
D4 Canción por la unidad latinoamericana 3:50
D5 Pioneros 1:54

Isabel Parra – Isabel Parra En Cuba (1978)

(192 kbps, cover art included)

New Age Steppers - Foundation Steppers (On-U Sound, 1983)

Rallying around the considerable talents of British producer/modern dub mastermind Adrian Sherwood, the New Age Steppers were not so much a band as they were a loosely knit aggregation of musicians from some of Britain's best avant-garde post-punk/funk bands. There was Ari Up from the Slits, Mark Stewart from the Pop Group, and John Waddington and Bruce Smith from Rip, Rig & Panic. Along with the usual gang of suspects employed by Sherwood's dynamically creative On-U Sound (George Oban, Style Scott, Eskimo Fox) studio, the sound ofthe New Age Steppers was that of cut-and-paste dub mixing, psychedelic swirls of found sounds, dissonant aural collages, sinewy reggae riddims, and odd, semi-tuneful vocals. Not for the faint of heart, the music created by Sherwood and his Steppers was among the most exhilarating and consistently challenging to come out of Britain during the early post-punk era. It wasn't always accessible, but it has few peers in terms of ingenuity and daring. Highly recommended to those whose musical tastes occasionally reside on pop's radical, experimental fringes.

The third and final New Age Steppers album (unless one considers the Creation Rebel dub sets), "Foundation Steppers" is dominated by Bim Sherman's magnificent vocals, with the majority of his showcases then segueing into a lengthy dub interlude, to complete one of the finest "traditional" reggae albums in the On-U canon. Assuming, of course, that a traditional album would find space for "Five Dog Race," an earthquake instrumental that Adrian Sherwood would return to on several occasions in the future. Lol Coxhill, Doctor Pablo, and Prince Hammer have all distinguished subsequent versions of this mighty rhythm. Another dub, the sparser "Mandarin," is equally forthright, but the key moments here are the vocal tracks - the buoyant "Memories," the confidential "Misplaced Love," and the pushy "Vice of My Enemies" (reworking the old "Rebel Party" rhythm) all testify to Sherman's mighty presence - to the point where the absence of the Steppers' most familiar vocalist, Ari Up, is scarcely even noticed.


Tracklist:

Some Love
Memories
5 Dog Race
Misplaced Love
Dreamers
Stabilizer
Stormy Weather
Vice Of My Enemies
Mandarin

New Age Steppers - Foundation Steppers (On-U Sound, 1983)
(192 kbps, front cover included)

Horace Andy - Skylarking (1972)

"Skylarking" was the debut studio album by Horace Andy. It was released on Studio One in 1972. Not to be confused with his later album, also titled "Skylarking", released in 1996. The backing band was Sound Dimension - Coxsone Dodd's studio band, led by Leroy Sibbles.


In 2012, "Skylarking" was placed at number 16 on the "Top 50 Reggae Albums" list, which was compiled by Jamaican disc jockey Clinton Lindsay and his colleague Marlon Burrell in commemoration of Jamaica's 50th anniversary as an independent nation. In 2014, Mojo placed it at number 43 on its list of the "50 Greatest Reggae Albums". In 2016, GQ named it as one of the "10 Classic LPs from Reggae's Golden Era".


Tracklist:

Where Do The Children Play 2:52
Just Say Who 2:28
Love Of A Woman 3:23
Skylarking 3:09
Mammie Blue 4:24
Please Don't Go 2:46
Every Tongue Shall Tell 2:28
Something's On My Mind 2:20
See A Man's Face 2:30
Don't Cry 2:56
I'll Be Gone 2:27
Got To Be Sure 2:18

Bonus tracks:
Oh Youth Man 2:53
Night Owl 4:03


Horace Andy - Skylarking (1972)
(320 kbps, cover art included)

Group 1850 - Paradise Now (1969)

Group 1850 is an interesting, if sometimes exasperating, late-'60s Dutch band who ranks among the most accomplished and original Continental rock acts of the era, though they made little impression in English-speaking territories. Starting as a more or less conventional beat band in the mid-'60s, they had taken a turn for the more psychedelic and bizarre by 1967. Determined to drive into the heart of the psychedelic beast, their songs (performed in English) are quite eclectic for the era, shifting from doom-laden tempos with growling vocals to sunny, utopian passages with breezy harmonies. The group could be roughly labeled as a mixture of the early Mothers of Invention (whom they supported at a Dutch concert in 1967) and Pink Floyd without much of a sense of humor; their songs are intriguing and not without powerful hooks, and the lyrics ambitious (if often inscrutable), but one's attention tends to wander over the course of an album, or even during their lengthier songs. Their late-'60s LPs are highly esteemed by some serious psych/progressive collectors.

The group plays it spacier and lighter on their second album "Paradise Now, with plenty of soaring guitars and keyboards and more diffuse compositions. The attractiveness of the ethereal sound almost obscures the fact that the songwriting lacks grist and cohesion.

Here are some more reviews.

Tracklist:

Side A:
1. Paradise Now (5:22)
2. Friday I'm Free (2:54)
3. Hunger (4:54)
4. Circle (1:08)
5. Lonelyness (2:22)

Side B:
6. Martin en Peter (1:55)
7. ?! (7:05)
8. Purple Sky (10:53)

(plus bonus tracks)

Group 1850 - Paradise Now (1969)

(320 kbps, cover art included)

Dollar Brand & Johnny Dyani - Good News from Africa (1973)

The extraordinary South African pianist meets his countryman, the late, very great bassist Johnny Dyani, and the result is one of the single most beautiful recordings of the '70s. The duo mix in traditional African and Islamic songs and perform with a fervor and depth of feeling rarely heard in or outside of jazz.

From the opening traditional Xhosa song, "Ntsikana's Bell," the rich, sonorous approach of these two musicians is evident, both singing in stirring fashion, Ibrahim guttural and serious, Dyani as free and light as a swallow. Ibrahim treats the listener to some of his all-too-rarely heard flute work on the following track, using Kirk-ian techniques of sung overtones in a gorgeous original. Dyani's bass playing is simply astonishing, never indulging in mere virtuosic displays but always probing, always deep - what Mingus might have sounded like had he been born in South Africa. His whipsaw arco work on "Good News" provides an incredibly roiling yet solid framework for some inspired piano from Ibrahim.

The Islamic prayer-song "Adhan/Allah-O-Akbar" is sung with such heartfelt intensity so as to melt the heart of the unbeliever and lay waste to countless quasi-spiritual attempts by lesser talents. The final two pieces are a fascinating pair. "The Pilgrim" is an Ibrahim special, based on a slow, irresistible loping groove, one that reaches its end lingering for a second or two before repeating, on and on like a luxurious desert caravan. The musicians embroider it exquisitely before reluctantly letting it go on its way after ten minutes. The next composition, Ibrahim's "Moniebah," begins in a stately manner, proceeding along for a minute or two until, as if drawn in by its ineluctable gravity, they return to "The Pilgrim," unable to resist its pull. It's an amazing, joyful moment that sends chills down one's spine.

"Good News From Africa" was the shining, transcendent release by both of these great musicians and one that should grace every listener's collection.    

This album was recorded December 10, 1973 at Studio Bauer, Ludwigsburg.          

Tracklist:

1	Ntsikana's Bell	6:15
2	Msunduza	4:37
3	Good News (Swazi, Waya-Wa-Egoli)	7:25
4	Adhan & Allah-O-Akbar	4:15
5	The Pilgrim	9:50
6	Moniebah (The Pilgrim)	12:00

  
Dollar Brand & Johnny Dyani - Good News from Africa (1973)     null
(320 kbps, cover art included)