Throughout the 1960s and beginning of the 1970s Mahlathini and the Mahotella Queens played beer halls and township dances in South Africa. Their original sound came to be dubbed the "indestructible beat of Soweto", and their solid four-to-the-floor dance rhythm and soaring vocal harmonies came to embody the spirit of the oppressed peoples of the townships. They soon hit the international stage as heroes of the cultural resistance to apartheid and as idols to South Africa's black community during the dark years. They took a break in the mid-'70s to raise families, but reunited in the beginning of the eighties. In 1987, producer West Nkosi - saxophonist, penny-whistle player, and conductor of the Makgona Tsothle Band - took advantage of a stay in Paris to cut the record "Paris -Soweto" for the French label Celluloid, resulting in the Mahlathini & the Mahotella Queens' international hit "Kazet".
The album "Kazet" is a compilation of recordings that had recently been recorded in South Africa and in Paris, and included the South African national anthem "Nkosi Sikelel' i Afrika" in addition to new compositions such as "Amazemula" ("Monster"), "Nomshloshazana" (A woman's name) and "Ubusuku Nemini" and classics like "Kazet".
The Mahotella Queens - Kazet (192 kbps)
7 Kommentare:
i have "kazet" as single, bought when i still was a fan of english poppers the art of noise, who recorded a few tracks with mahlathini and the mahotella queens for their final 1989 album "below the waste". thanks for the whole album, zero!!
lucky
You are always welcome, lucky! Have a nice day!
Thank you very much.
You are welcome!
Dear Sir... restore?
Bless...
Refreshed...
You arre welcome!
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