In the album liner notes, Sanders wrote: "I don't really see the horn anymore. I'm trying to see myself. And similarly, as to the sounds I get, it's not that I'm trying to scream on my horn, I'm just trying to put all my feelings into the horn. And when you do that, the notes go away... Why [do] I want clusters [of notes]? So that I [can] get more feeling, more of me, into every note I play. You see, everything you do has to mean something, has to be more than just notes. That's behind everything I do – trying to get more ways of getting feeling out."
Gary Giddins referred to Tauhid as "the first and best of Pharoah Sanders's Impulse albums." Chris May, writing for All About Jazz, called Tauhid "arguably the finest statement in [Sanders'] astral oeuvre," and states that "Of all Sanders' Impulse! albums... Tauhid has the best sound." In his review for AllMusic, Al Campbell notes that "Sanders' tenor appearance doesn't saturate the atmosphere on this session; far from it. Sanders is content to patiently let the moods of these three pieces develop..."
Tracklist:
"Upper Egypt and Lower Egypt" – 16:12
"Japan" – 3:22
"Medley: Aum/Venus/Capricorn Rising" – 14:46
(320 kbps, cover art included)
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