The 39 Clocks were an underground band from Hannover. Together with Nova Express, The Beauty Contest, Shiny Gnomes, Multicoloured Shades, Kastrierten Philosophen and Yellow Sunshine Underground they contributed to the German underground neo-psychedelic scene of the 1980s.
In
1976, Jürgen „J.G.39“ Gleue (guitar, bass, vocals) and Christian
„C.H.39“ Henjes (guitar, orgal, vocals), both from Hannover, played
together under the name Killing Rats, and later Automats (trans:
"Machines"). The nucleus of the band was soon expanded with the addition
of drummer Claudius Hempelmann (he later joined labelmates and new wave
proponents Der Moderne Mann) and Rüdiger Klose, also known for his work
with Die Kastrierten Philosophen. In the studio they were joined by,
amongst others, Süsskind from Kosmonautentraum (Spaceman Dream) on the
melodica, and Emilio Winschetti, singer with labelmates Mythen In Tüten,
later in Mint and The Perc Meets The Hidden Gentleman, on synthesizer.
In 1980, a 7" of 'DNS' was released through the independent record
label, No Fun Records, as was their 1981 LP, 'Pain It Dark'. For their
second record, Gleue and Henjes founded their own record label,
Psychotic Promotion, through which Die Kastrierten Philosophen also
released their first record. In 1983, the duo split and Henjes founded
The Beauty Contest, who released records through the Hamburg label,
What's So Funny.
Visually, the band were reminiscent of the Velvet
Underground, and musically, they were influenced by the American garage
rock of the 1960s with a psychedelic direction and its comparable
simplistic production techniques, along with a bastardised use of the
English language, somewhat similar to what we know today as "Denglisch"
(the German equivalent of Franglais). They were always dressed in black,
wearing sunglasses, and coined phrases such as "black and white TVs
show better films than colour sets." Rather than melodic psychedelic
rock, they called their music "psycho-beat". Many speak retrospectively
of thegroup as "the German Velvet Underground" - a comparison that the
duo always rejected. The Clocks never had an entry into the Hannover
rock hall of fame, however they've not quite been forgotten. For
example, in 1998 one of the Clocks' songs found its way onto the
soundtrack of the film, "23 - Nichts ist so wie es scheint" ("23 -
nothing is quite as it seems"). In addition, many remember them as the
forerunners of the German psychedelic renaissance.
39 Clocks - Cold Steel to the Heart (1985)
(256 kbps, front cover included)
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Please re-upload since link no longer works. Thanks!
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