The female singers on the scene were mostly old-time veteran activist types like Ronnie Gilbert and Malvina Reynolds, who was in her sixties. And then along comes this album, by a 19-year-old who looked more like the kind of co-ed every mother dreamt her son would come home with, displaying a voice from heaven, a soprano so pure and beguiling that the mere act of listening to her - forget what she was singing - was a pleasure.
Baez's first album, made up primarily of traditional songs (including a startling version of "House of the Rising Sun"), was beguiling enough to woo even conservative-leaning listeners. Accompanied by the Weavers' Fred Hellerman and a pair of session singers, Baez gives a fine account of the most reserved and least confrontational aspects of the folk revival, presenting a brace of traditional songs (most notably "East Virginia" and "Mary Hamilton") with an urgency and sincerity that makes the listener feel as though they were being sung for the first time, and opening with a song that was to become her signature piece for many years, "Silver Dagger." The recording was notable for its purity of sound.
Tracklist:
Tracklist:
A1 Silver Dagger
A2 East Virginia
A3 Ten Thousand Miles
A4 House Of The Rising Sun
A5 All My Trials
A6 Wildwood Flower
A7 Donna Donna
B1 John Riley
B2 Rake And Rambling Boy
B3 Little Moses
B4 Mary Hamilton
B5 Henry Martin
B6 El Preso Numero Nueve
A2 East Virginia
A3 Ten Thousand Miles
A4 House Of The Rising Sun
A5 All My Trials
A6 Wildwood Flower
A7 Donna Donna
B1 John Riley
B2 Rake And Rambling Boy
B3 Little Moses
B4 Mary Hamilton
B5 Henry Martin
B6 El Preso Numero Nueve
(320 kbps, cover art included)
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