During the folk boom of the late '50s and early '60s, the New Lost City Ramblers introduced audiences to the authentic string band sound of the 1920s and '30s, in the process educating a generation that had never heard this uniquely American sound of old-time music. While maintaining music with a social conscience, they added guts and reality to the folk movement, performing with humor and obvious reverence for the music. In 1958, Mike Seeger, John Cohen, and Tom Paley modeled their band after groups like the Skillet Lickers, the Fruit Jar Drinkers, and the Aristocratic Pigs, choosing a name in keeping with the past. When Tracy Schwarz replaced Paley in 1962, the NLCR added solo songs from the Appalachian folk repertoire, religious and secular, educating a large segment of the American population about traditional music. Folkways recorded the NLCR on five albums in the early '60s, making the Ramblers famous and leading to TV appearances, successful tours, and appearances at the Newport Folk Festival. A songbook with 125 of their songs came out in 1964 and sold well.
The third album by this group definitely gets an "A" for effort, as simply gathering up so many worthwhile songs about the American depression was worth doing, no matter how listeners might feel about individual tracks. The choice of material doubles up on numbers by Blind Alfred Reed and Bill Dixon, includes fascinating historical material by Fiddling John Carson and Slim Smith, and wisely includes the genre of instrumental music, which sometimes makes the most succinct comment of all, such as the tough fiddle solo "Boys, My Money's All Gone." Many of the medium-tempo numbers are played with the finesse of a fine classical chamber quartet, the fiddle and banjo playing sharp and radiant. The Tom Paley-era Ramblers have a bit more of a college campus-type folky sound, but in some cases this suits these types of songs, making this one of the better early albums by this band. Mike Seeger is busy on an assortment of instruments, livening up one track with harmonica, another with mandolin. As usual, his fiddle and banjo playing is topnotch. There is also nice use made of Hawaiian and steel guitars. While some albums by this group seem like the ensemble is taking on a bit too much territory, here the clear focus of the subject matter creates a more relaxed atmosphere, despite the despair of the lyrics. But OK, it is not a record to put on when one wants to serenade away a bad mood. The original booklet includes lyrics and much interesting information about the original artists and the depression era in general.
The New Lost City Ramblers - Songs From The Depression (1959)
(320 kbps, cover art included)
6 Kommentare:
This is a great old-time album! There was also an italian edition of this by the glorious label Albatros which back in the'70 printed some folk and blues albums.
About Mike Seeger I quite agree with you, he was a topnotch musician!
Thanks a lot for your feedback. Best wishes!
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