Kurt Weill & Bertolt Brecht - Aufstieg und Fall der Stadt Mahagonny (Lotte Lenya, Wilhelm Brückner-Rüggeberg, 1956)

The opera, "Rise and Fall of the City of Mahagonny" ("Aufstieg und Fall der Stadt Mahagonny"), is a razor-edged critique of capitalism, and considered by many to be the greatest collaboration between music composer Kurt Weill and playwright Bertolt Brecht. This political-satirical opera was first performed in Leipzig on 9 March 1930.

The libretto was mainly written in early 1927 and the music was finished in the spring of 1929, although both text and music were to be partly revised by the authors later. An early by-product, however, was the "Mahagonny-Songspiel", sometimes known as "Das kleine Mahagonny", a concert work for voices and small orchestra commissioned by the Deutsche Kammermusik Festival in Baden-Baden and premiered there on 18 July 1927. The ten numbers, which include the "Alabama Song" and "Benares Song", were duly incorporated into the full opera. The opera had its premiere in Leipzig in March 1930 and played in Berlin in December of the following year. The opera was banned by the Nazis in 1933 and did not have a significant production until the 1960s.

Weill's score uses a number of styles, including rag-time, jazz and formal counterpoint, notably in the "Alabama Song" (covered by multiple artists, notably The Doors and David Bowie). The lyrics for the "Alabama Song" and another song, the "Benares Song" are in English (albeit specifically idiosyncratic English) and are performed in that language even when the opera is performed in its original (German) language.

Here´s the recording with Lotte Lenya, Heinz Sauerbaum, Gisela Litz and the orchestra of the Norddeutsche Rundfunk, conducted by Wilhelm Brückner-Rüggeberg and recorded in 1956 in Hamburg.
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Kurt Weill & Bertolt Brecht - Aufstieg und Fall der Stadt Mahagonny CD 1
Kurt Weill & Bertolt Brecht - Aufstieg und Fall der Stadt Mahagonny CD 2
(192 kbps, front cover included)