Elsewhere, wild smatterings of hard and post-bop ("Ghetto Love Night") and angular modal music ("Ghetto Summertime," featuring Elvin Jones on drums and Joann Stevens-Gale on guitar), turn the jazz paradigm of the era inside out, simultaneously admitting everything in a coherent, wonderfully ambitious whole. There is no doubt that Archie Shepp listened to both "Ghetto Music" and "Black Rhythm Happening" before setting out to assemble his "Attica Blues" project. The album closes with "Look at Teyonda," a sprawling exercise in the deep melding of African and Latin folk musics with the folk-blues, flamenco, and jazz rhythms. Funky horns (courtesy of Gale, Russell Lyle, and Roland Alexander) moan toward Fulumi Prince's startlingly beautiful vocal. Stevens-Gale's guitar whispers the tune into the field before the saxophones and brass come to get it, and when they do, long open lines are offered slowly and deliberately, as Jones' shimmering ride cymbals triple-time the beat into something wholly Other.
"Black Rhythm Happening" is a timeless, breathtaking recording, one that sounds as forward-thinking and militant in the 21st century as it did in 1969.
Tracklist:
Black Rhythm Happening 2:57
Tracklist:
Black Rhythm Happening 2:57
The Gleeker 2:16
Song Of Will 3:08
Ghetto Love Night 5:30
Mexico Thing 5:08
Ghetto Summertime 3:13
It Must Be You 5:44
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Dear Sir... restore possible? Bless...
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