Mittwoch, 7. März 2018

Paul Robeson - Spirituals (1945)

Born on April 9, 1898, in Princeton, New Jersey, Paul Robeson went on to become a stellar athlete and performing artist. He starred in both stage and film versions of The Emperor Jones and Show Boat, and established an immensely popular screen and singing career of international proportions. Robeson spoke out against racism and became a world activist, yet was blacklisted during the paranoia of McCarthyism in the 1950s. He died in Pennsylvania in 1976.

When he was 17, Robeson earned a scholarship to attend Rutgers University, the third African American to do so, and became one of the institution's most stellar students. He received top honors for his debate and oratory skills, won 15 letters in four varsity sports, was elected Phi Beta Kappa and became his class valedictorian.

Increasing political awareness impelled Robeson to visit the Soviet Union in 1934, and from that year he became increasingly identified with strong left-wing commitments, while continuing his success in concerts, recordings, and theatre. In 1950 the U.S. State Department withdrew his passport because he refused to sign an affidavit disclaiming membership in the Communist Party. In the following years he was virtually ostracized for his political views, although in 1958 the Supreme Court overturned the affidavit ruling. Robeson then left the United States to live in Europe and travel in countries of the Soviet bloc, but he returned to the United States in 1963 because of ill health.

Robeson appeared in a number of films, including Sanders of the River(1935), Show Boat (1936), Song of Freedom (1936), and The Proud Valley (1940). His autobiography, Here I Stand, was published in 1958.
Tracklist:

Go Down Moses2:44
Balm In Gilead2:13
By An' By2:29
Sometimes I Feel Like A Motherless Child2:31
John Henry2:27
Water Boy2:30
Nobody Knows The Trouble I've Seen2:41
Joshua Fit De Battle Of Jericho1:53
 
Paul Robeson - Spirituals (1945)   
(320 kbps, cover art included)               

Samstag, 3. März 2018

Doc Watson - Southbound (1966)

"Southbound" is the second studio album by the American folk music artist Doc Watson, released in 1966.

"Southbound" was a pivotal record for Doc Watson. Upon its 1966 release, it demonstrated that Watson was capable of more than just dazzling interpretations of folk songs, but that he could also write excellent original material and rework new country songs in a fascinating manner.

"Southbound" also marked the recorded debut of Merle Watson, Doc's astonishingly talented son.               

Tracklist:

A1Walk On Boy3:19
A2Blue Railroad Train2:41
A3Sweet Georgia Brown1:52
A4Alberta2:40
A5Southbound2:44
A6Windy And Warm2:11
A7Call Of The Road2:16
B1Tennesse Stud3:33
B2That Was The Last Thing On My Mind2:44
B3Little Darling Pal Of Mine2:40
B4Nothing To It2:00
B5Riddle Song2:34
B6Never No More Blues3:09
B7Nashville Pickin'1:50

Doc Watson - Southbound (1966)
(192 kbps, cover art inlcuded)

Montag, 19. Februar 2018

Josh White - The Story of John Henry - 25th Anniversary Album (1957)

Josh White had a talent for self-reinvention, and his career - which began in the 1920s and stretched essentially uninterrupted all the way into the '60s - is an amazing story of adaptability and survival.

Slick, sly, and fiercely intelligent, White began as a Piedmont blues player, but became a sort of pre-Harry Belafonte black sex idol, complete with a leftist social and political agenda, during his so-called cabaret blues period in the late '40s, and when the McCarthy era led to his blacklisting, he rebounded into the folk revival with several carefully assembled albums for Jac Holzman's newly created Elektra label that recast him as a folk balladeer. 

This set, originally released as an LP in 1957, was the first of those albums for Elektra. Few performers could make the folk-blues straddle the line between being rustic on the one hand and artfully urbane on the other like White was able to do, and while to some extent it was a stage act, there is no doubting White's ultimate devotion to his material. 
The key track here is the first one, an epic 23-plus-minute version of "John Henry" that was the center of White's live performances during his folk period and was somewhat of a signature song for him. Although some doubted White's authenticity as a folk-blues performer (they really shouldn't have), the fact remains that White was an excellent acoustic guitar player and a subtle and versatile singer who carefully selected his material, well aware of how it made him appear. 

Listeners should definitely check out some of White's early Piedmont-styled 78s from the '20s, though, like "Blood Red River" and "Silicosis Is Killin' Me," to really hear this intelligent performer at his best.


Tracklist:
1. The Story Of John Henry... a musical narrative   23:33
2. Black Girl   2:58
3. Free And Equal Blues   3:49
4. Live The Life   2:22
5. Sam Hall  2:58
6. Where Were You, Baby?   3:38
7. Delia's Gone   3:49
8. Run, Mona, Run   1:37
(320 kbps, cover art included)

Freitag, 16. Februar 2018

Woody Guthrie - Songs to Grow on for Mother and Child (1956)

Some of the last songs written and recorded by Woody Guthrie were his children's songs.
Their strength, shown in "Songs to Grow on for Mother and Child", is an unusually strong identification with actually being a child, in all its simplicity and charm, along with the ability to win over listeners. Good examples here are "Rattle My Rattle" and "I Want My Milk." Guthrie is an acquired sonic taste worth acquiring. Ages 3-5.

Tracklist:
1Grassy Grass Grass (Grow, Grow, Grow)1:35
2Swimmy Swim1:53
3Little Sugar (Little Saka Sugar)1:22
4Rattle My Rattle1:11
5I Want My Milk (I Want It Now)2:17
61,2,3,4,5,6,7,81:11
7One Day Old1:33
8Wash-y Wash Wash (Warshy Little Tootsy)1:34
9I'll Eat You, I'll Drink You1:40
10Make A Blobble2:05
11Who's My Pretty Baby (Hey Pretty Baby)1:43
12I'll Write And I'll Draw2:27
13Why, Oh Why3:27
14Pick It Up1:51
15Pretty And Shiny-O1:28
16Needle Sing2:15
17Bling-Blang2:41
18Goodnight Little Arlo (Goodnight Little Darlin')3:16

Woody Guthrie - Songs to Grow on for Mother and Child (1956)
(Ca. 145 kbps, cover art included)

Sonntag, 28. Januar 2018

Utah Phillips - We Have Fed You All A Thousand Years

"These are songs and stories of the Industrial Workers of the World (Wobblies), a union to which I have belonged for over forty years. Recorded live in front of a group of striking Telecommunications Worker s in British Columbia, this is what I wanted to sing and say about our working class culture and why we should teach, study, and cherish it all the time, using it to build class solidarity and a better future for all workers. By the way, these workers I was singing for really joined in, and they all knew what we were singing about too!"

Utah Phillips was an amazing advocate for workers' rights, and he made it his life's mission to keep alive the songs of the working class. Here, in his 1993 recording, he collected the songs of Joe Hill and others as preserved through the Industrial Workers of the World (IWW) Songbook. Folks interested in learning more about the plight of the labor movement, and the history of the songs that have accompanied it, would appreciate this well-performed collection.

Tracklist:
1Boss0:19
2We Have Fed You All A Thousand Years1:59
3Sheep And Goats1:02
4Timberbeast's Lament1:41
5Dump The Bosses Off Your Back4:15
6Lumberjack's Prayer1:48
7Mr. Block4:27
8Preacher And The Slave4:12
9Popular Wobbly2:04
10Casey Jones2:57
11Where The Fraser River Flows2:53
12Bread And Roses2:56
13Joe Hill4:14
14Union Burying Ground3:31
15Two Bums1:02
16Hallelujah, I'm A Bum5:28
17Solidarity Forever4:19
18There Is Power In A Union3:42

Here´s a link to a nachruf in german language:
http://www.linksnet.de/de/artikel/23569

Utah Phillips - We Have Fed You All A Thousand Years
(320 kbps, front cover included)

Samstag, 27. Januar 2018

John Zorn - Kristallnacht (1993)

Today is the Holocaust Memorial Day, dedicated to the remembrance of the victims of the Holocaust. The chosen date is the anniversary of the liberation of Auschwitz concentration camp by the Soviet Army in 1945.

This release documents an intense musical representation of Kristallnacht, or the Night of Broken Glass, a coordinated attack on Jews throughout the German Reich that occurred on November 9, 1938, during which Nazis, SS members, and Hitler youth broke into Jewish homes and businesses, assaulting the people and their property. The official German report tallied 7,500 businesses destroyed, 267 synagogues burned (with 177 totally destroyed), and 91 Jews killed.

John Zorn has created a musical work that powerfully represents the different stages of this historical event. "Shtetl (Ghetto Life)" is beautiful yet apprehensive klezmer, interspersed with sound bites of German rallies and speeches that become more frequent, increasingly crowding the life from the music. This segues into "Never Again," which, Zorn warns in the liner notes, "contains high frequency extremes at the limits of human hearing and beyond, which may cause nausea, headaches and ringing in the ears." While nearly unbearable, it is a fitting sound representation of Kristallnacht, as thousands of layers of shattering glass assault the ears. "Never Again" is both effective and affecting, if you can listen. This onslaught is followed by the loud silence and emptiness of "Gahelet (Embers)," a walk through the immediate aftermath of wind, darkness, and destruction. Alley echoes are heard as sound is overwhelmed by a dread and horror beyond expressing, and no words can contain what might begin to form in the midst of shock. This is a heavy silence. Strings have gone haggard on the next composition, and from this point the album becomes less literal and explicit, moving away from poignancy and focus into more chaos.

Zorn's forceful undertaking is realized through the expert and passionate musicianship of violinist Mark Feldman, guitarist Marc Ribot, keyboardist Anthony Coleman, bassist Mark Dresser, and percussionist William Winant, as well as guest trumpeter Frank London and clarinetist David Krakauer.

Tracklist:

1 Shtetl (Ghetto Life) 5:51
2 Never Again 11:41
3 Gahelet (Embers) 3:25
4 Tikkun (Rectification) 3:02
5 Tzfia (Looking Ahead) 8:46
6 Barzel (Iron Fist) 2:01
7 Gariin (Nucleus - The New Settlement) 7:58

John Zorn - Kristallnacht (1993)
(320 kbps, cover art included)
               

Mittwoch, 24. Januar 2018

Hugh Masekela & The Union Of South Africa - Same (1971) - Rest In Peace!

Hugh Masekela, the legendary trumpeter, composer, singer and anti-apartheid activist, lost his battle with prostate cancer for which he had been receiving treatment since 2008. “The father of South African jazz” as he had been dubbed, died on Tuesday, January 23 2018.


Hugh Masekela & the Union of South Africa is an inspired mix of soul, highlife, and even New Orleans jazz. This works excellently on the old-fashioned "Goin' Back to New Orleans" and the fast-moving "Ade" and "Dyambo" where horn lines, call-and-response singing, and funky guitars, together with African rhythms, create furious dance music. But some of the slower numbers seem to be left without direction, a fact that is only partly covered by Masekela's trumpet playing. The closing "Hush (Somebody's Calling My Name)," though, is a great exception to that, with simple basslines and chorus, and slow-building energy. But if the mix of cultural influences is the strength of Hugh Masekela & the Union of South Africa, it may also be the weakness of the album; the difference between the groove-based "Ade," jazzier numbers like "Caution," and African highlife songs like "Shebeen" and "Johannesburg Hi-Lite Jive" is so big you'd think they belong on separate albums, and they may not appeal to the same audience. Hugh Masekela & the Union of South Africa was originally released on Masekela's own label, Chisa, and was re-released in 1994 on Motown. 

Tracklist:

Goin' Back To New Orleans5:07
Ade3:47
To Get Ourselves Together2:55
Johannesburg Hi-Lite Jive3:57
Mamani5:20
Shebeen4:00
Dyambo3:48
Caution!5:45
Hush (Somebody's Calling My Name)3:32

Hugh Masekela & The Union Of South Africa - Same (1971)       
(192 kbps, cover art included)   

Samstag, 20. Januar 2018

Erich Kästner - Muttersohn im Vaterland

Erich Kästner (February 23, 1899 - July 29, 1974) was one of the most famous German authors, screenplay writers, and satirists of the 20th century. His popularity in Germany is primarily due to his humorous and perceptive children's literature and his often satirical poetry.
Kästner was a pacifist and was opposed to the Nazi regime in Germany. Unlike many of his fellow authors critical of the dictatorship, Kästner did not emigrate. The Gestapo interrogated Kästner several times, and the writers' guild excluded him. Fanatic mobs burnt Kästner's books as "contrary to the German spirit" during the book burnings of 1933.

"Muttersohn im Vaterland" is a literary and musical voyage through the time, life and dreams of Erich Kästner.

With it´s well selected collection of the satirists poems, notes and fragments of novels this lecture by Ulrich Ritter leads us authentic and in a high tempo through Erich Kästner´s world.

Erich Kästner - Muttersohn im Vaterland
(192 kbps, ca. 88 MB)

Samstag, 6. Januar 2018

Mississippi John Hurt ‎– The Best Of Mississippi John Hurt - Ain't No Tellin'

No blues singer ever presented a more gentle, genial image than Mississippi John Hurt. A guitarist with an extraordinarily lyrical and refined fingerpicking style, he also sang with a warmth unique in the field of blues, and the gospel influence in his music gave it a depth and reflective quality unusual in the field. 

Coupled with the sheer gratitude and amazement that he felt over having found a mass audience so late in life, and playing concerts in front of thousands of people - for fees that seemed astronomical to a man who had always made music a sideline to his life as a farm laborer - these qualities make Hurt's recordings into a very special listening experience. 

"Ain´t No Tellin´" is a compilation album of live recordings from various performances.

Tracklist:
1Rich Woman Blues
2Trouble I Had All My Days
3Chicken Blues
4Coffee Blues
5Monday Morning Blues
6Frankie & Albert
7Talking Casey
8Here I Am, Oh Lord Send Me
9Hard Times In The Old Town
10Spike Drivers Blues
11Candy Man
12My Creole Belle
13Make Me A Pallet On Your Floor
14Shake That Thing
15I'm Satisfied
16Salty Dog
17Nobody's Business
18The Angels Laid Him Away
19Casey Jones
20Baby What's Wrong With You
21Lonesome Blues

(320 kbps, cover art included)

Donnerstag, 9. November 2017

VA - Klangdenkmal für die Opfer des Holocaust - A Monument in Sound for the Victims of the Holocaust (2004)

Today we remember the anti-Jewish pogrom in Nazi Germany and Austria on 9 to 10 November1938, also known as "Novemberpogrome", "Reichskristallnacht", "Reichspogromnacht" or "Pogromnacht" in German.

Twenty six variations on a subject that one finds difficult to put into words. The incomprehensibility and the magnitude of the Holocaust can perhaps be described in facts, dates and figures - but the suffering of the victims, the regret about what happened, the consequence is especially difficult to "grasp" in terms of one´s owen life. Perhaps this is the reason for music as music is "the ability to communicate where speech has ended" (R. M. Rilke) and gives us the possivility of combining emotions and reason without a verbal setting, to allow grief and hope to flow into each other and in this manner to remember the victims in a very special way.

The "Monument in Sound for the Vicitms of the Holocaust" has been "built" by 27 composers who belong to the "Deutsche Komponistenverband" (German Association of Composers). The project was initiated in 1999 following a unanimous resolution passed by the associations´s state branch in Berlin. Composers from a variety of generations and artistic origins are involved and the starting point was the theme of a song by Coco Schumann. He was persecuted as the son of a Jewish mother and deported to the concentration camps Theresienstadt, Auschwitz and Dachau - he survived these camps and still performs on stage to this very day.

The theme of his compositon was arranged for a string quartet setting and sent to all the project´s participants in alphabetical order, one after another. Each artist then had the possibility, whilst taking the opening theme into consideration, to take up from his predecessor in terms of compostion or to carry on independatly ins or her own way. As such, after two years work, an astonishingly homogeneous musical piece of contemporary history came into being, contrary to all doubts, created by artist from a variety of musical fields - from jazz, avant garde and serious music. A musical work in which past and present flow into a spiritual entirety, as the sum of the involved composers´ personal and subjecitve experiences, each being treated in their own individual artistic manner.


VA - Klangdenkmal für die Opfer des Holocaust (2004)
(256 kbps, cover art included)

Mittwoch, 11. Oktober 2017

Gil Scott-Heron & Brian Jackson - Secrets (1978)

Gil Scott-Heron and Brian Jackson made a lot of incredible music together and "Secrets" is no exception. Soul and Jazz come together with the brilliance that is Gil Scott-Heron's mind and the result is truly inspiring. This 1978 album from the poet/musician, an album that continues the journey started on the 1977 album, "Bridges".

"Angel Dust" warns of the dangers of drug abuse. "Show Bizness" is a hilarious look at the perils of the music business ('they'll take care of everything for only 95%'), whilst "Madison Avenue" talks of the over commercialization of western society ("buying is all that's asked of you..."). "Better Days Ahead" and "Prayer For Everybody" see Gil in a more optimistic light hoping for a better future.

Gil Scott Heron was rapping and telling it like it is long before hip hop even thought about running its course. This album was a good example of Gil's finest works.

Tracklist:
1. Angel Dust
2. Madison Avenue
3. Cane
4. Third World Revolution
5. Better Days Ahead
6. 3 Miles Down
7. Angola Louisiana
8. Show Bizness
9. A Prayer For Everybody To Be Free


Gil Scott-Heron & Brian Jackson - Secrets
(192 kbps, front cover included)

Freitag, 29. September 2017

Sun Ra - Dancing Shadows

"Dancing Shadows" is a mid-'80s German bootleg disc gathering material that had been recorded some two decades earlier for the ESP-Disk indie label. It should also be noted that the same eight sides can be found as both "Nothing Is" (1970) and the somewhat erroneous "Heliocentric Worlds, Vol. 3" (1966). In terms of the contents, the cuts were documented at various stops on the Arkestra's 1966 spring tour of state universities of New York. The instrumental free jazz improvisations surrounding the more discernible melodies from Ra (piano/clavioline) and company serve as the primary impetus for this collection.

From out of the free-for-all introduction "Dancing Shadows," Ra's keyboards are incisive and direct as he rides the band into a swinging and inventive jam sporting the same brand of advanced arrangements and tricky time signatures that are associated with the likes of Pharoah Sanders and Thelonious Monk. Longtime Arkestra stalwarts Marshall Allen (alto sax/flute/piccolo/oboe), John Gilmore (tenor sax), and Pat Patrick (baritone sax/flute) entwine their Eastern-influenced interjections and effuse interaction over the solid rhythm section of Ronnie Boykins (bass/tuba), Clifford Jarvis (drums), Carl Nimrod [aka Carl S. Malone/Nimrod Hunt] (sun horn/gong), and James Jacson (flute/log drums).

While no traditional drum kit performers are credited, they are evident throughout. Sandwiched between "Dancing Shadows" and "Exotic Forest" is the spoken or (perhaps more accurately) chanted chorus of "the second stop is Jupiter." Keen-eared enthusiasts might recall this extract, which hails from "Rocket #9." There is an entrancing and almost intoxicating quality to "Exotic Forest." Allen's oboe solo is bound to some equally heady percussive expressions. This release can be recommended for this track alone, as it exemplifies the unquestionable beauty that the Arkestra created from seeming sonic chaos. After "Sun Ra and His Band from Outer Space" - a brief piano solo interlude - the final extended piece is "Shadow World." Here, Patrick's opening solo is met head-on with a hard-hitting and edgy assault from Allen on oboe. This eventually leads into a full Arkestra meltdown prior to Ra's "Theme of the Stargazers" and a final chorus of "Next Stop Mars" - another spoken/sung chant. The audio quality of this specific incarnation is less than favorable when compared to either of the previously mentioned releases "Nothing Is" or "Heliocentric Worlds, Vol. 3" - both of which are available on CD. All manner of free jazz fans are encouraged to locate "Dancing Shadows", as it provides an unabashed glimpse into what makes this era of the Arkestra so highly lauded among listeners.               

Tracklist:

1. Dancing Shadows / Imagination / Exotic Forest (20:15)

2. Sun Ra And His Band From Outer Space / Shadow World / Theme Of The Stargazers / Outer Spaceways Incorporated / Next Stop Mars (17:54)



Sun Ra - Dancing Shadows
(192 kbps, cover art included)

Dienstag, 19. September 2017

Dinah Washington - Dinah Jams (1954)

Recorded at the start of Dinah Washington's climb to fame, 1954's "Dinah Jams" was taped live in front of a studio audience in Los Angeles.

While Washington is in top form throughout, effortlessly working her powerful, blues-based voice on both ballads and swingers, the cast of star soloists almost steals the show. In addition to drummer Max Roach, trumpeter Clifford Brown, and other members of Brown and Roach's band at the time - tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow - trumpeters Maynard Ferguson and Clark Terry, alto saxophonist Herb Geller, and pianist Junior Mance also contribute to the session.

Along with extended jams like "Lover Come Back to Me," "You Go to My Head," and "I'll Remember April" - all including a round of solos - there are shorter ballad numbers such as "There Is No Greater Love" and "No More," the last of which features excellent muted, obbligato work by Brown.

And even though she's in the midst of these stellar soloists, Washington expertly works her supple voice throughout to remain the star attraction, even matching the insane, high-note solo blasts trumpeter Ferguson expectedly delivers. A fine disc. Newcomers, though, should start with more accessible and more vocal-centered Washington titles like "The Swingin' Miss D" or "The Fats Waller Songbook", both of which feature top arrangements by Quincy Jones.


Dinah Washington - Dinah Jams (1954) 
(320 kbps, cover art included)

Montag, 11. September 2017

Inti-Illimani - La Nueva Cancion Chilena (1973)



Originally posted four years ago:

Last night I had the chance to experience a concert by the wonderful group Inti-Illimani Classico from Chile.

September 11, 2013 marks the 40th anniversary of the military coup by General Pinochet against the democratically elected President Salvador Allende. The group dedicated their concert to the rememberance of these events.

Inti-Illimani is an instrumental and vocal Latin American folk music ensemble from Chile. The group was formed in 1967 by a group of university students and it acquired widespread popularity in Chile for their song Venceremos (We shall win!) which became the anthem of the Popular Unity government of Salvador Allende. At the moment of the September 11, 1973 Chilean coup they were on tour in Europe and were unable to return to their country where their music was proscribed by the ruling military junta.
Having heard of the numerous extra-judicial killings of many fellow artists by Chile's army, they took up residence in Italy, resulting in "the longest tour in history" for Inti-Illimani as they lived in de facto exile. They continued their efforts supporting Chilean democracy internationally; magnitizdat copies of their work continued to be widely distributed in Chile. In September 1988, days after they were no longer banned from Chile, they began touring Chile again. They helped organize the voting down of the referendum that would have re-elected Pinochet. Recently, they were actually supported by Chile as representatives of Chilean culture.

In Europe their music took on a multifarious character, incorporating elements of European baroque and other traditional music forms to their rich and colourful Latin American rhythms - creating a distinctive fusion of modern world music. They are perhaps the best internationally known members of the nueva canción movement.

"La Nueva Canción Chilena" (New Chilean Song) is the musical voice of a social/political movement that lived in Chile in the 1960s and early 70s. Musically, it revived the sounds of native Andean music and blended them with American folk and popular music. Politically, the movement championed labor organization, land reform, anti-racism, and anti-imperialism. It supported the Vietnamese in their struggle against the U.S. Pinochet and the Fascist military junta seized power in Chile on Sept. 11, 1973. The New Chilean Song movement (along with most leftist political and social organizations) was destroyed, and its leaders murdered or exiled. The CIA and other U.S. agencies were heavily involved in installing Pinochet and keeping him in power.

Inti-Illimani - La Nueva Cancion Chilena (1973)
(192 kbps, cover art included)

Donnerstag, 7. September 2017

Lonnie Smith - Move Your Hand

Lonnie Smith (born July 3, 1942), styled Dr. Lonnie Smith, is an American jazz Hammond B3 organist.

"Move Your Hand" was recorded live at Club Harlem in Atlantic City on August 9, 1969. Organist Lonnie Smith led a small combo - featuring guitarist Larry McGee, tenor saxist Rudy Jones, bari saxist Ronnie Cuber, and drummer Sylvester Goshay - through a set that alternated originals with two pop covers, the Coasters' "Charlie Brown" and Donovan's "Sunshine Superman."

Throughout, the band works a relaxed, bluesy, and, above all, funky rhythm; they abandon improvisation and melody for a steady groove, so much that the hooks of the two pop hits aren't recognizable until a few minutes into the track. No one player stands out, but "Move Your Hand" is thoroughly enjoyable, primarily because the group never lets their momentum sag throughout the session. Though the sound of the record might be somewhat dated, the essential funk of the album remains vital.                

Tracklist:

  1. "Charlie Brown" (Jerry Leiber, Mike Stoller) - 8:26
  2. "Layin' in the Cut" - 10:11
  3. "Move Your Hand" - 9:01
  4. "Sunshine Superman" (Donovan Leitch) - 10:16
  5. "Dancin' in an Easy Groove" - 11:56


Lonnie Smith - Move Your Hand
(320 kbps, cover art included)

Dienstag, 15. August 2017

Mikis Theodorakis - Epitafios (1964)

Michael “Mikis” Theodorakis (born 29 July 1925) is a Greek songwriter and composer who has written over 1000 songs. He scored for the films Zorba the Greek (1964), Z (1969), and Serpico (1973). He composed the “Mauthausen Trilogy” also known as “The Ballad of Mauthausen”, which has been described as the “most beautiful musical work ever written about the Holocaust” and possibly his best work. He is viewed as Greece’s best-known living composer. He was awarded the Lenin Peace Prize.

Politically, he is associated with the left because of his long-standing ties to the Communist Party of Greece. He was an MP for the KKE from 1981 to 1990. Nevertheless, in 1989 he ran as an independent candidate within the centre-right New Democracy party, in order for the country to emerge from the political crisis that had been created due to the numerous scandals of the government of Andreas Papandreou,[9] and helped establish a large coalition between conservatives, socialists and leftists. In 1990 he was elected to the parliament (as in 1964 and 1981), became a government minister under Constantine Mitsotakis, and fought against drugs and terrorism and for culture, education and better relations between Greece and Turkey. He continues to speak out in favor of left-liberal causes, Greek–Turkish–Cypriot relations, and against the War in Iraq. He has consistently opposed oppressive regimes and was a key voice against the 1967–1974 Greek junta, which imprisoned him.

He went to Athens in 1943, and became a member of a Reserve Unit of ELAS, and led a troop in the fight against the British and the Greek right in the Dekemvriana. During the Greek Civil War he was arrested, sent into exile on the island of Icaria and then deported to the island of Makronisos, where he was tortured and twice buried alive.
During the periods when he was not obliged to hide, not exiled or jailed, he studied from 1943 to 1950 at the Athens Conservatoire under Filoktitis Economidis. In 1950, he finished his studies and took his last two exams "with flying colours". He went to Crete, where he became the "head of the Chania Music School" and founded his first orchestra.  At this time he ended what he has called the first period of his musical writing.

In 1954 he travelled with his young wife Myrto Altinoglou to Paris where he entered the Conservatory and studied musical analysis under Olivier Messiaen and conducting under Eugene Bigot. His time in Paris, 1954–1959, was his second period of musical writing.

In 1960, Theodorakis returned to Greece and his roots in genuine Greek music: With his song cycle Epitaphios he started the third period of his composing and contributed to a cultural revolution in his country.

This album features the first recording of Epitaphios from August 1960 with Nana Mouskouri on vocals.

Tracklist:

Πού Πέταξε Τ' Αγόρι Μου
Χείλι Μου Μοσκομύριστο
Μέρα Μαγιού
Βασίλεψες Αστέρι Μου
Νάχα Τ' Αθάνατο Νερό
Στο Παραθύρι Στεκόσουν
Ήσουν Καλός Ήσουν Γλυκός
Γλυκέ Μου Εσύ
Βρέχει Στην Φτωχογειτονιά
Ένα Το Χελιδόνι
Οι Χαρταετοί

Mikis Theodorakis - Epitafios (1964)
(flac, cover art included)

Montag, 14. August 2017

Jowel Klezmorim - Unterwejgen

From the linernotes:
"Jowel Klezmorim reflects with great authenticity and stylistic accuracy the atmosphere of the music made by the Jews of central and eastern Europe.

Their album "Unterwejgen" gives palpable expression to the emotional life of a people accustomed to tears, whether of bitter sorrow or helpless mirth. The ensemble´s remarkable technical prowess enables them to penetrate deeply into the style of klezmer music and convey a sense of its essential spontaneity. Familiar and new melodies alike receive very colourful and original treatment."

Tracklist:

Schwartz Sirba
Freyt Aykh Yidelekh
Rebe Eimeiekh
Mazl Tov
Simchat Nigun
Papirosn
Unterwejgen
Falaffelpizz(a)
Far Dem Chosn Un Far Der Kale
Szol A Kakas Mar
Oj Mischpoche
Berditschever Bulgar
Eyner is Got
Is Gewejn
Oyfn Veg Shteyt A Boym
Sol Sayn Gelebt
A Yidishe Mame
 Schlof Majn Kind    

Jowel Klezmorim - Unterwejgen
(320 kbps, cover art included)

Samstag, 5. August 2017

Dollar Brand - Anatomy Of A South African Village (1965)

Yesterday I had fortunately the chance to experience the wonderful music of Abdullah Ibrahim and Ekaya live on stage. So this is a good occassion for sharing some of his music.

The melodic sounds of South Africa are fused with the improvisation of jazz and the technical proficiency of classical music by South Africa-born pianist Dollar Brand or, as he's called himself since converting to Islam in 1968, Abdullah Ibrahim. Since attracting international acclaim as a member of the Jazz Epistles, one of South Africa's first jazz bands, Ibrahim has continued to explore new ground with his imaginative playing.

In the mid-1960's, Abdullah Ibrahim (then known as Dollar Brand) was an avant-garde pianist influenced by Thelonious Monk who was not yet displaying much of his South African heritage in his music. This album was recorded at the Montmartre Jazzhuis, Copenhagen, 30th January 1965.

Tracklist:

A1 Anatomy Of A South African Village 15:11
A2 Light Blue 6:56
B1 Tintiyana 4:31
B2 Honey 6:01
B3 'Round Midnight 6:30



Dollar Brand - Anatomy Of A South African Village (1965)
(320 kbps, cover art included)

Donnerstag, 3. August 2017

The Red Army Choir - The Best Of - The Definitive Collection

The most prestigious vocal group in Russia, the Red Army Choir was renamed in 1978 after Boris Alexandrov, the troupe's director from 1946 until 1986. A large group featuring a male choir, mixed dance group, and orchestra, the Red Army Choir attracted international attention when it took first place at the Paris Universal Exhibition in 1937.
Much of the group's repertoire, including such tunes as "We Are the Red Cavalry" and "Song of the Volga Boatmen," has passed into Russian folklore. In a review of the choir's self-titled 1994 album, recorded under the direction of conductor Victor Federov and released on the Naxos label, American Record Guide wrote "Naxos' sound is rich, full, vibrant, and spacious -- just like the choir itself."                

Even though I cannot speak Russian, the quality of this choral group is beyond excellent. Many of these pieces are extremely moving and stirring. Both the compositions and the performance are remarkable, above expectations.
The music is very emotive, these emotions can be shared beyond ideological questions. You can perceive a very intense feeling of comradeship and solidarity which is essential for all human beings. Also some of the exaggeration and grandiloquence that was characteristic of the Soviet regime can be found sometimes, but in this case it sounds sincere. The performance is very appropriate for this kind of music. It has nothing to do with the meaningless, empty and mechanical interpretation quite usual in military music.

The Red Army Choir - The Best Of - The Definitive Collection CD 1
The Red Army Choir - The Best Of - The Definitive Collection CD 2
(256 kbps, cover art included)

Dienstag, 1. August 2017

Lightnin' Hopkins‎ - Broken Hearted Blues

Sam “Lightnin’” Hopkins has been called "the last of the Great Blues Singers" – a poetic, haunting and unforgettable country blues bard.

These are the 1950-52 recordings, produced and recorded by Bob Shad for  his "Sittin In With" and "Jax" labels.  A strong song selection with an excellent sound.













Tracklist:

1Hello Central
2Mary Contrary
3Bald Headed Woman
4One Kind Favor (See That My Grave Is Kept Clean)
5I Wonder Why
6Tap Dance Boogie
7Down To The River
8New Short-Haired Women
9Broken Hearted Blues
10New York Boogie
11Long Way From Texas
12Mad As I Can Be
13 I'm Beggin' You
14Why Did You Get Mad At Me?
15 Home In The Woods
16Praying Ground Blues
17 Back Home Boogie
18My Heart To Weep
19Everybody's Down On Me
20New Worried Life Blues
21I'll Never Forget The Day 

Lightnin' Hopkins‎ - Broken Hearted Blues 
(320 kbps, cover art included)