"Mama" is a fine collection of Soweto township jive from Brenda Nokuzola Fassie (3 November 1964 – 9 May 2004), the South African anti-apartheid Afropop singer; it includes her hit "Ama-Gents." Sadly, Ms. Fassie is no longer with us. She has left us a small body of work that any fan of South African music will enjoy. "Mama" is an especially moving ballad. Highly recommended.
From the linernotes:
"Brenda Fassie is often called the Madonna of South Africa. Even though she is only 5'1", on stage she is an electrifying presence. This album also includes the hit-version of 'Ama-Gents' a traditional South African chant arranged by Brenda in honor of Nelson Mandela."
Known as the "Queen of the Vocals" and dubbed the "Madonna of the Townships" by Time Magazine, Brenda Fassie was one of South Africa's most popular vocalists, mixing African vocals with a slick international pop sound. She had her greatest success in the 1980s and continued to record into the ensuing decades, but became a celebrity known more for her off-stage antics than her on-stage work.
Born in 1964 in the small village of Langa, Cape Town, Fassie came from a musical family and began singing early, forming her first singing group at the age of four. Her precocious talent brought her to the attention of talent scouts from Johannesburg, one of whom eventually took the young teenager to the city to kick-start her career. After singing background vocals for other artists, Fassie broke out with the group Brenda & the Big Dudes with whom she recorded her biggest hit in 1986's "Weekend Special." She went on to a solo career soon after and working with producer Sello "Chicco" Twala Fassie had continued success at the end of the '80s with the hits "Too Late for Mama" and the controversial "Black President," which was banned in apartheid-era South Africa.
Then things started to unravel for Fassie. She was involved in several highly publicized affairs with both men and women and had also begun a costly and destructive cocaine addiction. It also didn't help matters that she became notorious for missing concert dates. The nadir of her excess came in 1995 when Fassie was found in a drugged haze next to the dead body of her girlfriend. The horror of the event was enough to shock her out of her spiraling decline. Her next album, "Memeza", was released in 1998 and was the most focused and accomplished album she had released in nearly a decade. "Memeza" went on to become the best-selling album of the year in South Africa. If there had been any doubt previously, the album's success cemented Fassie's role as a superstar of Afro-pop. Her success continued with subsequent albums and, for a time, nothing seemed impossible for the township hero. In May of 2004, Fassie suffered a sever asthma attack that triggered cardiac arrest forcing her to be hospitalized. The physical breakdown was severe and Fassie's condition deteriorated quickly. On May 9, 2004, Brenda Fassie passed away.
Brenda Fassi - Mama (1995)
(256 kbps, cover art included)
4 Kommentare:
Fassie was a giant and deserves more recognition outside of South Africa. I really appreciate that your posts for South African music extend beyond the music of the usual suspects: Makeba, Masekela, and Ladysmith Black Mambazo. I love their music as well and have a great deal of it, but South African music by its black artists with its syncopation and variety have always been intoxicating, trance-inducing, and addictive to me since I was first exposed to it more than forty years ago. Sadly, like all too many artists, celebrity and success seemed to adversely affect Fassie although, unlike Elis Regina and others in the world of music, she did not succumb to them She was gone much too soon and we will not see her like again.
Although "Black President" addressed the trials of Nelson Mandela under apartheid and displayed Fassie's commitment to him. I have always wondered what she might have thought about the election of Barack Obama in this country.
I do wish progressive Afrikaner music received as much exposure and as large an audience as music by black South African artists. It would be wonderful to see the music of Valiant Swart, Koos Kombuis, Laurika Rauch, Johannes Kerkorel, David Kramer, Baccus Nel, and Karen Zoid heard and recognized outside of South Africa, and Afrikaans- and Dutch- speaking communities. Some have paid for their political stance against apartheid. However, I can't regard the lack of such music as a deficiency of this blog; your eclectic taste always makes accessing this blog a joyful discovery. Thanks for all you offer.
Thank you so much for Brenda Fassie. What a great superstar she was.
Extra thanks for "Tales of Tsotsi Beat".
Thanks a lot for your friendly comments! Best wishes to you!
Dear Sir... restore here? Bless...
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