After the hugely successful release of the psychedelic pop poem "Alegria, Alegria" as a single in 1967, Veloso aimed at releasing an album that would surpass the Beatles' Sgt. Pepper's in terms of creativity, while at the same time reflecting the new, more international, Brazil. The result was this unique 12-track gem with classics such as the previously mentioned "Alegria, Alegria," the lovely and ironic "Superbacana," and the Latin-flavored "Soy Loco por Ti America." The title of the opening track "Tropicália" - a song that in a wonderful way summarizes what the movement was all about - was actually borrowed from an installation by visual artist Hélio Oiticica which Veloso found very inspiring.
Soon after the release of this album, the term "tropicália," to the mild irritation of Veloso himself, became the name used by the media to describe the entire Brazilian movement. In addition to the great and uniquely inventive music on the album, what strikes the listener is the excellent standard of the lyrics, written by such prominent poets as Capinam, Ferreira Gullar, and of course Veloso himself. More often than not, the lyrics could easily stand alone as poems.
For all its artistic quality, and its position as the first tropicalia album, as well as Caetano Veloso's first solo album, this is a classic and one of the most important albums of Brazilian popular music history.
Tracklist:
1. Tropicália
2. Clarice
3. No Dia Que Eu Vim-Me Embora
4. Alegria, Alegria
5. Onde Andaras
6. Anunciação
7. Superbacana
8. Paisagem Útil
9. Clara
10. Soy Loco Por Ti, America
11. Ave-Maria
12. Eles
Caetano Veloso - Caetano Veloso (1968)
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