Billie Holiday - The Commodore Master Takes

If you're a completist who insists on having everything that Billie Holiday recorded, "The Complete Commodore Recordings" is required listening. But for the more casual listener, it's best to pass on that two-CD set and stick with "The Commodore Master Takes". While "The Complete Commodore Recordings" contains all of the alternate takes that Holiday recorded for Commodore in 1939 and 1944, this collection only concerns itself with the master takes (which total 16).

Holiday never singed an exclusive contract with Commodore - she only freelanced for the label, and the ultra-influential jazz singer spent a lot more time recording for Columbia in the 1930s and early 1940s, and for Decca from 1944-1950. But her Commodore output was first-rate, and Lady Day excels whether she's joined by trumpeter Frankie Newton's octet at a 1939 session or by pianist Eddie Heywood's orchestra at three sessions in 1944.

The album gets off to an impressive start with the controversial "Strange Fruit," a bone-chilling account of lynching in the Deep South that ended up being released on Commodore because Columbia was afraid to touch it. Holiday is also quite expressive on performances that range from "Fine and Mellow," "I Got a Right to Sing the Blues" and "Yesterdays" in 1939 to "My Old Flame,"  "I'll Be Seeing You," and "He's Funny That Way" in 1944.
For those with even a casual interest in Holiday's legacy, this superb album is essential listening.


Tracklist

A1	Strange Fruit
A2	Yesterdays
A3	Fine And Mellow
A4	I Gotta Right To Sing The Blues
A5	How Am I To Know
A6	My Old Flame
A7	I'll Get By
A8	I Cover The Waterfront
B1	I'll Be Seeing You
B2	I'm Yours
B3	Embraceable You
B4	As Time Goes By
B5	He's Funny That Way
B6	Lover Come Back To Me
B7	Billie´s Blues
B8	On The Sunny Side Of The Street

Billie Holiday - The Commodore Master Takes
(224 kbps, cover art included)